Yesterday we ported in Vienna. Here is the view from the cabin.
On the trip through the night, I had awoken to what I thought was the cabin deck lights shining in my eyes. I was a bit confuses as to why they would be on, and when I looked through the glass door, I realized that I was peering at a concrete wall. A quick step out on the deck showed another ship coming in to squeeze next to us to complete the transition at the lock. Pretty fascinating stuff, if you ask me.
A couple of hours later, we were docked at the port, ready to head out on our daily adventure.
Our excursion took us to the streets of Vienna where we learned, once again, some of the history of this city while on a guided walking tour. Afterwards, we had free time to ourselves. We opted to forgo lunch on the boat to see some of the sites of interest to us that we had not seen in our past visit.
Our walk took us past the famous stallions. Marty was able to catch a photo of one from his zoom camera as we weren't permitted anywhere near them, which certainly makes sense. The streets were very crowded and I'm sure these horses don't need tourists in their face.
Our free time took us past the plague memorial. I had mentioned in the past that most of the towns in Europe in this area had one erected to thank God for surviving the plague. Vienna was no different.
We decided to explore the Kunsthistorisches Museum which is the museum of art history.
As you can see, it's a fairly substantial building.
The interior was filled with room upon room of artifacts. I am obviously only going to feature a few that caught my eye.
This is a late 15th century bust of St. Catherine
This gem from the 16th century has an internal mechanism that triggers her playing her instrument while turning her head from side to side. I was surprised to see something so intricate from that time period.
Each of the ceilings were decorating similar to stately homes that we've toured in the past.
I loved the beautiful colors in this one.
Among the collections in this room were clocks of just about any size and shape, mostly made from precious materials.
These tankards were amusing
particularly the one that looks like a praying monk. Beneath that head was something tastefully delightful.
By now, we had examined quite a number of items and decided it was time to go out and explore more.
Walking along, we passed this statue of Mozart in the park. I thought the floral Treble clef was quite creative. It was beginning to drizzle, but that wasn't really an issue.
We decided that it was the perfect time to to stop in the cafe on the bottom floor of the opera house. It felt great to rest my feet, and, of course, order a specialty cake. My choice did not disappoint.
Refueled, we headed to the Vienna City Museum. It's a free venue that opened in 2023. Among the many artifacts and displays, it has two different dioramas of Venice. This one shows the city as it would have appeared in 1852. In the center one can see the beautiful St. Stephen's Basilica.
Interestingly enough, the basilica still stands, but is surrounded by high buildings which hide it until one is standing at its base.
The Vienna Museum was quite interesting as it explained the history from its inception. It gave details of the Roman occupation, and how the city changed hands over time.
The displays were easy to read and I found to be quite valuable in understanding what happened when, all to present day.
I noticed quite a few religious icons in the early collections, and they indicated that they were from St. Stephen's Basilica.
Here is a painting of St. George from 1480.
This fresco was painted around 1404 and is believed to have a connection to the Scala Family who had fled to Vienna.
This is an even earlier group of statues, dating from 1380 which represents the Epiphany.
Here are 15 century shields and helmets that would have been carried ruing funeral ceremonies.
I was confused as to why there were so many artifacts from St. Stephen's Basilica. But then I read that they had been removed in order to preserve them. Replicas now stand in their place in the basilica.
It wouldn't be a Vienna Museum without a painting of Maria Theresia. She was the mother of 16 children. This painting includes a painting of her first born Joseph in the top emblem. It was painted in 1744.
Moving through time, we see Francis
and his wife Sisi. They were married when she was just 15 years old.
This painting from 1900 is entitled The Old and New Gas Lighting, from 1900.
It was commissioned to celebrate the municipal takeover of Vienna's gas supply. It features dark days on the left, and bright modern streetlights on the right.
Moving forward in time, one can see the obvious discrimination of the Jewish population beginning in 1939. Jewish assets were seized by the Office of Property Transactions. Firms were ordered to be liquidated. One man, Hans Grunsfeld had his shop seized. He was one of 653 watch and jewelry stores that were ordered to be closed in the city.
These Jewish families could not just leave Nazi Germany without securing an entry visa into another country. The United States insisted that the person entering would not impose a burden on the country. They needed a family member in the US to vouch for them.
Finally, I took a photo of this building, thinking it was an innocent looking hotel.
Reading through the information, I soon learned that Hotel Metropole, was the infamous headquarters of the Gestapo. Jews were regularly rounded up and shot right up until the city's liberation.
We decided at this point that it was time to make our way back to the ship. We passed some lovely tulips in bloom along the way.
I will admit that the transition home wasn't as clear as what we had expected. And, we weren't alone in our confusion. But all ended well, and we enjoyed a lovely dinner with fellow cruise members. In fact, we were having so much fun, we had to be asked to leave the restaurant!
We have a big day planned for tomorrow. I'll be sure to keep you posted!